Southern White Amnesia by Zak Foster

Morlan Gallery

300 N Broadway, Lexington, Kentucky 40508

Monday, January 12th
12:00pm - 5:00pm EST
Tuesday, January 13th
12:00pm - 5:00pm EST
Wednesday, January 14th
12:00pm - 5:00pm EST
Thursday, January 15th
12:00pm - 5:00pm EST
Friday, January 16th
12:00pm - 5:00pm EST
Tuesday, January 20th
12:00pm - 5:00pm EST
Wednesday, January 21st
12:00pm - 5:00pm EST
Thursday, January 22nd
12:00pm - 5:00pm EST
Friday, January 23rd
12:00pm - 5:00pm EST
Monday, January 26th
12:00pm - 5:00pm EST
Tuesday, January 27th
12:00pm - 5:00pm EST
Wednesday, January 28th
12:00pm - 5:00pm EST
Thursday, January 29th
12:00pm - 5:00pm EST
Friday, January 30th
12:00pm - 5:00pm EST
Monday, February 2nd
12:00pm - 5:00pm EST
Tuesday, February 3rd
12:00pm - 5:00pm EST
Wednesday, February 4th
12:00pm - 5:00pm EST
Thursday, February 5th
12:00pm - 5:00pm EST
Friday, February 6th
12:00pm - 5:00pm EST
Monday, February 9th
12:00pm - 5:00pm EST
Tuesday, February 10th
12:00pm - 5:00pm EST
Wednesday, February 11th
12:00pm - 5:00pm EST
Thursday, February 12th
12:00pm - 5:00pm EST
Friday, February 13th
12:00pm - 5:00pm EST
Monday, February 16th
12:00pm - 5:00pm EST
Tuesday, February 17th
12:00pm - 5:00pm EST
Wednesday, February 18th
12:00pm - 5:00pm EST
Wednesday, February 18th
12:00pm - 5:00pm EST
Thursday, February 19th
12:00pm - 5:00pm EST
Friday, February 20th
12:00pm - 5:00pm EST
Monday, February 23rd
12:00pm - 5:00pm EST
Tuesday, February 24th
12:00pm - 5:00pm EST
Wednesday, February 25th
12:00pm - 5:00pm EST
Thursday, February 26th
12:00pm - 5:00pm EST
Friday, February 27th
12:00pm - 5:00pm EST

Southern White Amnesia examines the family stories white Americans pass down through generations—or allow to be forgotten—about their role in slavery and its ongoing legacy. When Foster told a family member about discovering records showing their ancestors had enslaved people, the immediate response was “no”—followed by insistence that they would “surely know” if this were true. That moment of family denial launched this entire collection.


The work moves from confronting hard evidence in old estate documents and Civil War letters to attempting communication with ancestors through dream work and AI-animated family photographs. Rather than ending with historical revelation, the collection culminates in active repair—both literal mending of found textiles and ongoing spiritual work of ancestral accountability.


Foster commits 100% of proceeds from sales to scholarships through the Thurgood Marshall College Fund, making the repair work concrete and immediate.